:D I love to read the comments :) But yeh the writing on that bus, the reflection of the tree in the window…Richard Estes
I’ve never been so intrigued by a painting in my life. They are truly remarkable. How can he achieve such realism with a paintbrush? Enjoy…Just in case you were feeling too adequate today, here’s a painting that looks like a photograph
One Spoky Bird.
The veil; the only way to deal with a bad hair day.
By Daehyun Kim aka Moonassi (click to view more of his work)
Moonassi’s art is fresh and simple, yet deeply symbolic. The economical use of black ink offers a clear cut, down-to-earth feel to his otherwise poignant illustrations.
“I draw people because that’s what I’d like to talk about. I prefer to draw in a small scale as I wish to capture my everyday thoughts and feelings during a limited time of the day. If I think I want to touch you, my drawing reflects that thought. If I think I want to distress you, I’ll draw something that upsets you.” - Daehyun Kim (2008)
Moonassi. 둥둥 내사랑, Oo, darling , 2009. 29.5 x 42cm. Marker and pen on the paper.
DAEHYUN KIM, aka MOONA, was born and lives in Seoul, South Korea. He studied Korean traditional painting at the College of Fine Arts, Hongik University
“I draw something I’d like to draw and I can draw well. I draw people because that’s what I’d like to talk about. I prefer to draw in a small scale as I wish to capture my everyday thoughts and feelings during a limited time of the day. If I think I want to touch you my drawing reflects that thought. I draw an act that I’m upsetting you if I think I want to distress you.
The reason why these ephemeral and scattered thoughts are so significant for me is that I can see myself as a tiny fraction like those thoughts, and also I’m the collection of those fractions. I’m the mundane being, a sort of dust everywhere. I’m anyone or anything in anywhere. I want to sweep and gather all those tiny little fractions on paper so as not to be scattered.” – by MOONA
