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gregorycolbert: Tomorrow is a full moon in Thailand and I am...

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gregorycolbert:

Tomorrow is a full moon in Thailand and I am filming with the elephants.

May the skies be filled with flying elephants.

—GC


devidsketchbook: Gregory Colbert - Ashes and Snow...

themissionvision: Amy Shackleton’s brushless technique. She...

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themissionvision:

Amy Shackleton’s brushless technique. She squeezed paint onto canvas and allows them to drip naturally, while rotating the canvas to create her pieces.

minhpho: This is one of the coolest things I’ve seen. The...

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minhpho:

This is one of the coolest things I’ve seen. The artist is named Amy Shackleton and she uses no brushes at all to create her works of art. She just uses squeeze bottles and manipulating the position of the canvas to create her art.

themissionvision: Prints and editorial illustrations by Jules...

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themissionvision:

Prints and editorial illustrations by Jules Julien.

Jules Julien on Tumblr

julesjulien: Rébus series for the collective show Nuit Blanche...

julesjulien: One of my pieces being painted in East Village...

theairtightgarage: Career Timeline: 1986 - Starwatcher III


theairtightgarage: Career Timeline: 1985 - Little Nemo in...

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theairtightgarage:

Career Timeline: 1985 - Little Nemo in Slumberland

Moebius is approached by Tokyo Movie Shinsha to do concept design work and script revisions for their animated feature film based on Winsor McCay’s comic strip Little Nemo in Slumberland.

P.S. Hayao Miyazaki was heavily involved in production early on, even making a test film, but left citing difficulties years before Moebius came on board.

themissionvision: Mondongo (which means tripe), an Argentinian...

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themissionvision:

Mondongo (which means tripe), an Argentinian art collective, create amazing pieces from Plasticine, which is basically melted, dripped clay.

actegratuit: Kathleen Maling

Liu Bolin - The Real Life Invisible Man Liu Bolin was moved to...

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Liu Bolin - The Real Life Invisible Man

Liu Bolin was moved to create his “Hiding in the City” series after the Chinese government destroyed Beijing artist village Suo Jia Cun in November 2005. At the time of this destruction, Liu Bolin had been working in Suo Jia Cun, which had been previously named Asia’s largest congregation of artists. Prompted by his emotional response to the demolition of this site, Liu decided to use his art as a means of silent protest, calling attention to the lack of protection Chinese artists had received from their own government.

Why do you choose urban landscapes for the majority of your work?

Bolin: In the development of Chinese society, we experienced movements which were against humanity and purged people’s minds. I chose to camouflage my body into the environment because this way, people will pay more attention to the background’s social property, and the meaning of my body disappeared in this environment as an individual. In one aspect, my works record the history of the development of Chinese society. Concern about the situation of Chinese reality is one important theme of my works. I am trying to ask, “How does our society develop? What are the problems in our society? Where is our direction leading?”

How long does the average photo take and what is the process?

Bolin: To finish one work, it will take 3-4 hours. All the painting and photography work is finished by one of my assistants. My work is for me to stand still there. Some people would ask: you are not the one who does the painting, or shot the work, how can it be your work? But I was the one who chose which site we should use, and which assistant helps me to do the painting, or the shot. Before I started HITC (“Hiding in the City”), I would choose some sites as back-ups, then choose one of them as the place to shoot the photo. Before we start work, I take a photo of me standing in front of the site. I put my portrait on every background digitally before real production starts, in order to show my assistant the ideas and tell them how to proceed. We pay attention to every single detail, every line and color. My assistant and I communicate throughout the process, in order to get the best image we can. I then analyze which part is most important part, which has to be finished first, and also I need to guide them to make the color choices so it is the same as the background. Then we start to paint. I have to paint myself in the same color as the background, and more importantly I have to make the lines connect with those of the background.

More here

wordplaysandrandominspirations: A mural collaboration between...

rafaelgodoybrito: Susanna Majuri is a fine art photographer...

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rafaelgodoybrito:

Susanna Majuri is a fine art photographer from Finland. The technique she uses to mount her work is called Diasec, it is a process used for mounting prints on acrylic glass. The colours are more brilliant and the image sharper, compared to standard glass in a picture frame. Also because of the glue used the photographer get a high gloss finish, which can reflect away harmful UV light. The finished product remains flexible, which helps stand changes in temperature and humidity, which can affect works on paper. It is backed with metal, which lets it be hung without a frame or usual hanging techniques.

Susanna Majuri’s captures short narrative scenes as though they were film stills of a story yet to be told. The feeling of being lost is invoked within her images, trapped within a endless dream one of which you cannot escape or understand. The element of water is often shown within her work, she say “the water is the most remarkable. It carries bodies. Water is colour. The shimmer and the deep green. My challenge is to see the reality in a non-traditional light. When I am shooting pictures, I have a premonition that something strange is about to happen.” The faces of her models are often hidden from view; to me this is a device to make the viewer use their imagination to create their own narrative. She wants the audience to enter a surreal journey that attempts to bring together the landscape of the unconscious with that of the natural world.

More here

themissionvision: Tomasz Gudzowaty’s photography. He is...

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themissionvision:

Tomasz Gudzowaty’s photography.

He is particularly interested in non-commercial sports, and also those that are not present in the media, sports that are exotic, atypical, or somehow outside the mainstream.


showslow: Embroidered X-rays by Matthew Cox

ianbrooks: Suspended Dandelion Ceiling by Regine Ramseier Using...

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ianbrooks:

Suspended Dandelion Ceiling by Regine Ramseier

Using 2,000 hand-picked dandelions, Regine has made a room that is just as filled with nature as the actual outdoors. A light adhesive was sprayed on them before being transported from the nature all the way to their upside down resting place.

(via: shinyslingbackcolossal)

themissionvision: Beijing-based Li Hongjun creates sculptures...

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themissionvision:

Beijing-based Li Hongjun creates sculptures by skewing layers and layers of paper.

themissionvision: Paper Profiles by photographer Dan Tobin...

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themissionvision:

Paper Profiles by photographer Dan Tobin Smith.

themissionvision: Oil on corduroy, inspired by digital...

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themissionvision:

Oil on corduroy, inspired by digital distorted satellite signals.

New work by Jens Hesse.

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