Regret comes after the failed realization of a multitude of futures. All is intangible.
seventypercentethanol: Regret comes after the failed...
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Aa, sorry to bother, but I was wondering if you perhaps considered using the queue function so that it posts art at regular intervals throughout the day/night. I really enjoy your blog, I just noticed that you tend to reblog or make a lot of posts in one go every once in a while, and perhaps a queue would keep you from flooding your follower's dashes...?
Hi,
Short answer:
“Okayyyyyy (*sigh*)”
:)
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actegratuit: Mark Heine
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pascalcampion: The one with the blue book
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pascalcampion: 7.30 PM
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mydarkenedeyes: Luke Mancini
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septagonstudios: Amy Dover
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darksilenceinsuburbia: Susan Sironi....
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eclipsaholic: Sam Weber
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myampgoesto11: Marc Quinn: The Eye Of History (2012)
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cyanea: Thomas Allen Cutting the text into the...
Cutting the text into the silhouettes—letter-by-letter—came next. There were no overlays or pencil lines to guide me. I simply ‘eyeballed’ the shapes to determine where each of the words should fall. I had a few extra copies of the book on-hand in case I made mistakes and had to start over. Remarkably, that only happened once.
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funkystarfishy: Alexander Klingspor
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explorans: Installation by Henrique Oliveira
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eventhird: Jonathan Saiz, The Piano Project
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adeathgriponyesterday: Ceramics Inspiration of the Day! Work by...
Ceramics Inspiration of the Day! Work by Stephanie Craig. These works are from her specimen series. Something about specimens/spores/seedlings really intrigues me.
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monaux: Come back.
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drawgabbydraw: A little sad or in between. (Bigger here.)
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2headedsnake: alexandrabellissimo.com alexandra bellissimo
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somewhatreal: Rebecca Campbell, Lisa. Oil on Canvas, 48 x...
Rebecca Campbell, Lisa. Oil on Canvas, 48 x 68.5”. 2006.
Rebecca Campbell, Lucky Charm. Oil on canvas, 18 x 18”. 2009.
Rebecca Campbell, Neda. Oil on Canvas, 48 x 33”. 2006.
Rebecca Campbell, Sleep Walker. Oil on canvas, 36 x 44.5. 2009.
Rebecca Campbell, Charlie in the Forest. Oil on canvas, 36 x 43”. 2009.
Rebecca Campbell, Red Riding Hood. Oil on canvas, 18 x 18”. 2009.
Rebecca Campbell, Marie Antoinette. Oil on canvas, 18 x 18”. 2009.
These paintings have a perfect blend of idealism and realism: everything is highly believable, but the lens flares, surreal scenarios, and re-purposed stories make the scenes even more fascinating.
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artcollage: Pablo Guzman
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More Pages to Explore .....
